Thursday, September 29, 2011
Wednesday, September 21, 2011
Wordless Wednesday: jenis rajin berbunga dan berbuah..
sangat wangi harum semerbak...
hasil tangan cool...sejuk tangan ku...heheh
3 in 1 : Bunga Ros, Kaktus dan Tembikai...hek hek
Alhamdulillah....
Tuesday, September 20, 2011
Kongsi Pengalaman: Pengasas (KFC) Kolonel Harland D. Sanders
Gagal Sekali Bukan Untuk Selamanya.
Kisah Menarik!
Billi P.S. Lim (penterjemah: Berani Gagal) berkongsi pengalaman, menceritakan liku-liku hidup pengasas Kentucky Fried Chicken (KFC), Kolonel Harland D. Sanders dilahirkan pada tahun 1890 di sebuah ladang berdekatan Henryville, Indiana. Ayahnya meninggal sewaktu dia berusia enam tahun dan dengan itu, ibunya perlu bekerja keras sebagai seorang tukang jahit. Ibunya juga menjaga adik-adiknya yang masih kecil. Pada waktu itulah, ibunya mengajarkan seni masakan tempatan.
Tidak berapa lama selepas ibunya berkahwin lagi, Harland D Sanders yang pada waktu itu berusia 12 tahun, berhenti sekolah dan mula bekerja. Di antara pekerjaan awalnya termasuk menjadi petani, penyelia landasan keretapi, konduktor, penjual insurans, penjaga mesin kapal wap dan banyak lagi. Akhirnya, beliau membuka sebuah gerai makanan yang berjaya. Dia menyediakan masakan istimewa ayam goreng.
Nampaknya nasib malang adalah teman setia Sanders. Pada tahun 1939, perniagaannya menjunam dan nyaris bankrap. Tanpa rasa putus asa, Sanders mendirikan sebuah restoren dan motel dengan gaya baru. Apabila pendapatan yang diperolehnya agak lumayan, satu masalah pula muncul. Ada sebuah jalan raya baru dibina. Dengan ini, para pelanggan lebih suka melalui jalan itu dan tidak lalu lagi di hadapan motelnya. Perniagaannya merosot dan Sanders terpaksa melelongnya. Hasil jualan dari lelongan itu pula hanya cukup bagi membayar hutang.
Walaupun Sanders sudah berusia 66 tahun ketika itu, dia tidak mempunyai apa-apa yang dapat dibanggakan. Sanders kemudian merancang mencari pasaran baru yang sesuai. Satu-satunya harta bernilai yang dimilikinya adalah resepi rahsia yang diberi nama 'ayam goreng Kentucky'. Menjelang tahun 1956, Sanders berhasil menyakinkan belasan restoran memasak dan menjual ayam goreng. Setiap restoran memberinya US 4 sen sebagai royalty bagi setiap ketul ayam yang dijual.
Menjelang tahun 1960, sebanyak 400 buah restoran di Amerika Syarikat dan Kanada menyediakan ayam goreng Kentucky. Dalam waktu empat tahun, jumlah restoran yang menjual ayam goreng Kentucky meningkat kepada 650 buah dengan jualan per tahun mencapai US 37 juta.
Kisah menarik ini boleh dijadikan sandaran apabila dilanda kegagalan bertubi-tubi. cubalah tanamkan dalam diri janji tuhan, "Kerana sesungguhnya kesulitan itu ada kemudahan." (al-insyirah, ayat 5-6)
Nabi Muhammad bersabda, " Orang mukmin yang sempurna imannya adalah orang yang mengagnggap musibah sebagai nikmat dan kemakmuran sebagai musibah." (hadis riwayat Tabrani)
Apabila tuhan hendak meletak tanggungjawab yang berat atas manusia, dia sering menguji ketabahan mereka, menguatkan otot-otot mereka dan tulang mereka dengan pekerjaan berat. Tuhan menjadikan mereka lapar, miskin dan menggagalkan semua usaha mereka supaya mereka berfikir, meneguhkan pendirian dan melengkapi kekurangan. Ini kerana kebanyakan manusia hanya mampu memperbaiki diri sesudah melakukan kesalahn. Hanya apabila mereka berasa kecewa dalam berfikir dan gagal dalam tindakan, barulah mereka mampu bangkit lagi.
Ketika niat mereka yang tertera di wajah dan suara hati dapat didengar, barulah mereka dapar difahami orang lain. Selepas mereka gagal, barulah mereka sedar kebimbangan dan kesengsaraan itu memberi kita kehidupan, sedangkan kesenangan dan keselesaan itu menyebabkan kematian.
Kegagalan adalah rancangan tuhan yang menguji manusia menjalani takdirnya bagi menjadikan mereka tabah.
-Bill P.S. Lim-
catatan...citra kehidupan: umi
Bermotivasi: Bekerja Keras dan Berani Gagal
Kehebatan dan kepintaran bukanlah sekadar kecerdasan dan kekuasaan, bukan pula keturunan pelanjut generasi ataupun kesaktian menggulung dunia, tetapi ia adalah memberi makna pada setiap jengkal bumi walaupun hanya sebesar sebutir pasir dalam tebaran pantai dan gurun sahara.
-Abdul Munir Mulkhan dalam Revolusi Kesedaran-
Dengan nama Allah Al-Muhyi;
Kita perlu bernekad hendak memberi makna bagi kehidupan walau hanya sebesar buih di samudera luas. Hidup ini terlalu berharga untuk disia-siakan.
Mari kita hayati nama Allah al-Muhyi. Daripadanya kita dapat motivasi berani gagal. Daripada al-muhyi kita sedar bahawa kuasa ghaib tuhan sedang bergerak membimbing menuju satu kejayaan. Tuhan menghidupkan hamba-hambanya yang mempunyai cita-cita dan mengangkat mereka yang pernah mengalami kegagalan.
"Kamu melihat bumi itu kering tandus, namun apabila kami turunkan air ke atasnya, pasti ia subur" (fussilat, ayat 39)
Dengan demikian, apa yang dicita-citakan atau dikerjakan oleh seseorang pasti diberi penghargaan oleh Allah kerana Allah tidak berdiam diri.
Gagal mampu memahami hikmah kegagalan.
Gagal mampu memahami hikmah kegagalan.
Orang yang berhenti berdoa selepas kegagalan pertama, sebenarnya tidak berlaku adil pada diri mereka sendiri. Mereka seolah-olah menganggap kehidupan ini hanya terdiri daripada satu peristiwa dan apabila ia tidak tercapai, kehidupan mereka habis di situ sahaja.
Apabila saudara/ri ingin Allah mengangkat darjat saudara/ri, biasakanlah membaca al-muhyi setiap hari, sekurang-kurangnya 58 kali.
Wednesday, September 14, 2011
Falling in love: LOVE SONY NEX-C3
Focus Your Love
Sony NEX-C3 in Malaysia Price, Specs & Reviews
2011-06-13
Sony Unveils NEX-C3 - World's Smallest, Lightest Interchangeable Lens Camera with APS-C Sized Sensor
Sony has added the NEX-C3 to its range of mirrorless interchangeable lens cameras. The C3 features the same 16.2MP seen in the SLT A35, again promising improved battery life. The latest model is directly aimed at offering a compact-camera-like experience to users looking to upgrade to a large-sensor camera. It also features the 'Picture Effects' processing filters that will be available to NEX-3 and NEX-5 owners as a firmware update.
Sony NEX-C3 specification highlights:
- Revised 16.2MP CMOS sensor
- ISO 100-12800
- Creative Control results-orientated user interface
- Picture Effects processing options
- 720p30 HD movies in MPEG-4 format
- 921k-dot, tilt-angle LCD
- Detachable flash unit included
- 25-area AF system
- 49-segment metering
- 1/4000th - 30 sec exposure
- ‘Peaking' function for manual focus assist
- Manual, Auto+ and Photo Creativity control
- Enhanced battery life (400 shots per charge)
Sony NEX-C3 Camera Size and Lenses:
The C3 is the smallest NEX camera body yet, and NEX cameras are the smallest interchangeable lens cameras available – even smaller than Micro Four Thirds. This is the case even though the NEX sensor is full APS-C sized, the same as in mainstream DSLRs.
But though the body size of NEX cameras is positively tiny (as small as some pocket digicams), the lenses are constrained by the laws of optics because they must cover such a large sensor. In other words, though Sony has done their best to slim down NEX lens barrels, and uses very elegant-looking stainless steel construction, these are still largeish lenses, especially when compared to Micro Four Thirds.
To make the C3 even smaller Sony has made a few design changes, not all of which I think are for the good. The SD card slot no longer shares the battery compartment, having its own bottom panel door. This is fine as far as it goes, but it does mean that if the camera is on a tripod or a mount accessory is attached, it will have to be removed.
The more cramped grip of the C3 as compared to the NEX-5 means that one is forced to hold the camera more tightly, and I constantly found myself accidentally pressing the bottom soft key with my palm, something that never happened with the NEX-5. Plainly put, I feel that in its pursuit of making NEX cameras smaller, with the C3 Sony have gone too far and compromised hand-holdability.
Sony NEX-C3 Lens / Size / Aperture Quandary:
The NEX bodies are very small. But as already mentioned the lenses are still APS-C sized. To keep them within reason in terms of size they have modest maximum apertures. Even the pancake 16mm is just an f/2.8.
Of course the C3 has a 16MP sensor, and the NEX's sensor is also significant larger, which means better image quality. Right? Well, yes, but....
The but is that when working in anything but bright outdoor conditions one is going to have to shoot the C3 at a higher ISO, because the lens is slower. A full two to three stops slower. So indoors, instead of ISO 400, for example, the C3 would have to shot at ISO1600 to ISO 3200, thus cutting its larger sensor advantage considerably.
Sony NEX-C3 User Interface:
I expressed dissatisfaction with the original NEX user interface, as did virtually every other reviewer. Sony was pretty quick to try and address these complaints with a firmware update, but in my view it still didn't solve the main problem, and that's one of overall usability.
The concept behind the NEX cameras was to produce a camera that provided advanced user features, but aimed at the point-and-shoot user moving up. To accomplish this the number of external controls was reduced to a bare minimum, and various control selections made accessible behind pretty icon-based menus.
Regrettably, that had the effect of placing various selections and controls in six different icon accessed sections, each separated from the other by one having to navigate through a central menu screen. Every time a change is made to a function the user is dropped back to the central menu. Want to experiment, and try things a couple of different ways? Back through the main menu each time. Annoying and frustrating!
Overall I find the NEX interface to be the least friendly and most unintuitive of any current camera. It neither aids the beginner not comforts the more advanced user.
Sony NEX-C3 Peaking:
One of the most interesting new features on the C3 is the addition of "Peaking" when a manual focus lens on an adaptor is mounted. The peaking controls are found on the Setup menu, and include the choice of edge colour (Red, White and Yellow), and level of sensitivity, (Off / Low / Medium and High). Peaking, if you're unfamiliar with it from the video world, shows a shimmering outline on the parts of the image that are in sharpest focus.
Also, as an aid to focusing with non-AF lenses, when a lens adaptor is attached the bottom soft key automatically changes toMF Assist, and screen magnifications to assist focusing of 7.5X and 15X are available. This combined with Peaking provides the best focus assist capability that I've yet seen on a new generation camera.
Sony NEX-C3 Firmware:
There's good news. The new firmware found on the C3 will be available as an update for current NEX-3 and NEX-5 owners, so if you are keen to have Peaking this will be available for your previous NEX camera around the same time that the NEX C-3 is announced.
Sony NEX-C3 Picture Effects:
This mode allows users who aren't interested in working on the images with a computer to create a number of interesting effects, including ones named Retro, Pop, Posterized B&W, Posterized Color, Toy, Hi Contrast B&W, Hi Key, and Partial Red, Blue, Green and Yellow.
These later effects are well done, with just objects in those colours being displayed in colour, and the rest of the image in B&W.
Sony NEX-C3 ClearViewer:
I've made no secret of the fact that I really dislike working with cameras without eye-level viewfinders. Optical, reflex, electronic – I don't that much care – as long as there's something that I can use so as to shoot with the camera up to my eye, rather than at arm's length with an LCD screen.
The Hoodman Hoodloupe can theoretically do the job, but its much too large for use with a camera as small as a NEX C3, and it requires annoying rubber straps to attach. But there is a solution. It's small, relatively inexpensive, and works well enough that it should be provided by Sony with every NEX camera sold (at least until they get around to providing an accessory EVF).
The Clearviewer is the best solution that I have found. It looks a bit Rube Goldbergish but it works surprisingly well, and folds out of the way when not needed. The only time that it fails is outdoors when the sun is at 90 degrees and washes out the screen. But moving ones hand a bit to block the sun works fine. The ClearViewer is a simple yet brilliant solution. Highly recommended.
Be aware though that because the C3's SD card slot has been moved from its spot inside the battery compartment to a separate one close to the tripod socket, unlike on the NEX-3 and NEX-5 the Clearviewer needs to be removed to charge cards.
Sony NEX-C3 Image Quality:
I know that this will annoy a lot of people, but I'm going to take a pass on shooting high ISO noise and other test images for the article. The truth of the matter is that this sensor is Sony's latest; the same one found in their new A35, as well as the Pentax K5, Nikon D7000 and Sony A580, all highly regarded when it comes to image quality.
Sony NEX-C3 Review Summary:
The Sony NEX-C3 continues the move toward smaller and smaller compact system cameras, with a build and software design that works well.
Pros: Very small body, refined build. Large sensor for good light gathering. Various low-light shooting modes to improve results. HD video mode with real-time autofocus.
Cons: Menu-driven interface is sometimes confusing, making finding what you want quickly difficult. Camera may be too small for some.
Sony NEX-C3 Malaysia Release Date and Price:
The Sony NEX-C3 is expected to ship in August 2011 worldwide, available in Black, Silver, and Pink. With an 18-55mm kit lens the price will be about RM2000. A 16mm kit will be available with a black body only, for about RM1850.
Sony NEX-C3 Specifications:
Body material | • Metal top plate, Polycarbonate |
Sensor * | • 23.4 x 15.6 mm Exmor APS HD CMOS Sensor • 16.2 million effective pixels • 16.5 million effective pixels |
Image sizes * | 3:2 • 16 MP - 4912 x 3264 • 8.4 MP - 3568 x 2368 • 4.0 MP - 2448 x 1624 16:9 • 12 MP - 4912 x 2760 • 7.1 MP - 3568 x 2000 • 3.4 MP - 2448 x 1376 |
Image sizes (Panorama) | Sweep Panorama • 8192 x 1856 • 2160 x 3872 • 12416 x 1856 • 2160 x 5536 3D Sweep Panorama • 4912 x 1080 • 7152 x 1080 • 1920 X 1080 |
File qualities / formats | • RAW • RAW + JPEG Fine • JPEG Fine • JPEG Standard |
Movie | • MPEG-4 1280 x 720p 29.97fps (9 or 6 Mbps) 640 x 480 29.97fps |
Dust reduction | • Coating on low pass filter • Low-pass filter shake |
Lenses | • Sony E-mount • Sony Alpha lenses, Minolta and Konica Minolta AF lenses via adaptor (MF only, exclude power zoom lenses/tele-converters) |
Image Stabilization | • 'Optical SteadyShot' system on selected lenses |
Auto Focus | • Contrast AF • 25 multi-point • Centre-weighted • Flexible Spot |
Shooting modes | • Intelligent Auto • Program • Aperture priority • Shutter priority • Manual • Sweep Panorama • Anti-Motion Blur • Scene modes (below) |
Scene modes | • Portrait • Landscape • Macro • Sports Action • Sunset • Night view/portrait • Hand-Held Night Shot |
Sensitivity | • Auto (Range varies depending on shooting mode) • ISO 200 • ISO 400 • ISO 800 • ISO 1600 • ISO 3200 • ISO 6400 • ISO 12800 |
Metering modes | • Multi-segment (49 segment Honeycomb pattern) • Center-weighted • Spot |
Exposure compen. | • -2.0 to +2.0 EV • 0.3 EV steps |
Shutter Speed | • Electronically controlled, vertical traverse, focal-plane type • 30 to 1/4000 sec • Bulb |
Aperture values | Depends on lens, 0.3 EV steps |
White balance | • Auto • Daylight • Shade • Cloudy • Tungsten • Fluorescent • Flash • Color temperature/filter (2500 - 9900 K) • Manual (Custom) • Manual (Custom set) |
Dynamic range optimizer | • Off • DRAuto • HDR Auto |
Color space | • sRGB • Adobe RGB |
Color modes | • Standard • Vivid • Portrait • Landscape • Sunset • B&W |
Picture Effect* | • Posterization (color/B/W) • Pop Color • Retro Photo • Partial color (R/G/B/Y) • High Key • High Contrast Monochrome • Toy Camera |
LCD monitor | • 3.0 XtraFine TruBlack LCD • 921,600 pixels • Angle adjustable 80 degrees up/45 degrees down |
Flash | • External flash (supplied), attachable to Smart Accessory Terminal • GN : 7 meters • Flash Sync: 1/160sec |
Flash modes | • Auto • On • Off • Fill-flash • Slow Sync • Rear Sync. • Red-eye reduction on/off selectable |
Drive modes | • Single-frame • Continuous • Speed Priority • 10 sec 3 or 5 images • Bracket Cont 0.3 EV • Self Timer |
Continuous shooting | • Approx: 2.5 fps • Speed-priority mode: max 5.5 fps • Varies according to shooting conditions and memory card used |
Self-timer | • 10 or 2 seconds |
Connectivity | • HDMI out (with PhotoTV HD and BRAVIA Sync) • USB 2.0 Hi-Speed |
Storage | • Memory Stick Pro Duo • SD/SDHC/SDXC |
Power* | • NP-FH50 Lithium-Ion rechargeable battery (supplied) • Battery charger included • Optional AC adapter |
Battery Life (CIPA)* | 400 shots approx. |
Dimensions * | 110 x 60 x 33mm |
Weight (with batt and card)* | Approx. 225g (7.9 oz) |
Suara hati:
Yang mana satu
pilihan kalbu
Canon Yuna kah
atau Nikon yang glamour tu...
Hati berkenan...
Sony yang baru,
buat hatiku
jadi keliru..
Jatuh cinta lagi....
Saya memang peminat nombor satu SONY...handfon sony...camera dslr, digital pun sony. Itu pilihan saya...anda pula bagaimana?
Subscribe to:
Posts (Atom)